and 'April the first month of the year in the name of the spring, is open to religious and pagan celebrations that greet the rebirth of this cycle.
San Giorgio, within this new time, is the character who epitomizes the religiosity of arbëreshë and debris lay face to perpetrate a cult of devotion to the martyred people of Cappadocia and the homonymous national hero Skanderbeg George Kastriota, too 'he known for defending the Catholic world from paganism and the spread of Islam.
George of Lydda (? - 303), tribune in Palestine, one of the world's most troubled lands, became a Christian and after giving to the poor all his assets, agreed to defend and above all to spread the new doctrine.
His story, handed down as a legend connected to its iconic representation, has been told dall'agiografo Jacopo da Voragine (Varazze 1230 - Genoa 1298) who in his "Legenda Sanctorum", better known as the "Golden Legend", offered a fantastic reworking of the lives of the saints, soon translated into all the vulgar and inexhaustible source of information exploited by the very legendary and miraculous Christian iconography.
practiced throughout the Catholic world, the cult of St. George is held in some 10,000 parishes who have elected in 110 municipalities and patron that in Italy they are named.
There are few documents about the life of the saint who suffered martyrdom under the Emperor Diocletian (284-305).
almost always represented on horseback from artists of all time, St. George is honored in England, Russia and Spain.
's iconography applicant is composed of few elements: The Saint, the white horse, a spear, a girl, a dragon, sometimes in the background, a turreted palace.
The Saint, knight, gentleman, is almost always depicted with features and immature youth to represent the authenticity and freshness of the faith, the main element of its mission, metaphorically engaged in a battle of good against evil; the dragon, and the good, the beautiful and graceful princess.
San Giorgio, within this new time, is the character who epitomizes the religiosity of arbëreshë and debris lay face to perpetrate a cult of devotion to the martyred people of Cappadocia and the homonymous national hero Skanderbeg George Kastriota, too 'he known for defending the Catholic world from paganism and the spread of Islam.
George of Lydda (? - 303), tribune in Palestine, one of the world's most troubled lands, became a Christian and after giving to the poor all his assets, agreed to defend and above all to spread the new doctrine.
His story, handed down as a legend connected to its iconic representation, has been told dall'agiografo Jacopo da Voragine (Varazze 1230 - Genoa 1298) who in his "Legenda Sanctorum", better known as the "Golden Legend", offered a fantastic reworking of the lives of the saints, soon translated into all the vulgar and inexhaustible source of information exploited by the very legendary and miraculous Christian iconography.
practiced throughout the Catholic world, the cult of St. George is held in some 10,000 parishes who have elected in 110 municipalities and patron that in Italy they are named.
There are few documents about the life of the saint who suffered martyrdom under the Emperor Diocletian (284-305).
almost always represented on horseback from artists of all time, St. George is honored in England, Russia and Spain.
's iconography applicant is composed of few elements: The Saint, the white horse, a spear, a girl, a dragon, sometimes in the background, a turreted palace.
The Saint, knight, gentleman, is almost always depicted with features and immature youth to represent the authenticity and freshness of the faith, the main element of its mission, metaphorically engaged in a battle of good against evil; the dragon, and the good, the beautiful and graceful princess.
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